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曹禺的经典名剧《雷雨》自1934年发表后,即以话剧、电影、广播剧、戏曲等各种形态在中国现代文艺史上被广泛传播。《雷雨》杰出的艺术创造及民族化、剧场化特征契合了地方戏曲的城市化发展需求和审美取向,使得汇聚于上海的申曲、越剧、评剧诸剧种竞相搬演。地方戏曲对《雷雨》的演绎,既扩大了《雷雨》的影响力,彰显了其独特的舞台魅力与艺术生命力,同时也提升了地方戏曲的艺术品位,促进了剧种的现代性转型与发展,产生了积极的传播效应。
Since its publication in 1934, Cao Yu’s classic drama Thunderstorm has been widely disseminated in the history of modern Chinese literature and art through various forms such as drama, film, radio drama and opera. The outstanding artistic creation, nationalization and theatrical features of “Thunderstorm” are in line with the demand of urbanization and the aesthetic orientation of local opera. As a result, the operas, operas and operas of Shanghai Drama converged to play in Shanghai. The interpretation of “thunderstorm” by local operas not only expanded the influence of thunderstorm, demonstrated its unique stage charm and artistic vitality, but also enhanced the artistic taste of local operas and promoted the transformation and development of modernity of operas. Produced a positive communication effect.