正常情况下我们用顺畅的镜头语言来表现相对和谐和平稳的故事情绪,比如拍摄对话时,会坚持机位不越轴,镜头在推、拉、摇、移运动中会平缓顺畅。但逆向思维的话,我们将这一规律应用的更加灵活,也就是用不舒畅的,相对很跳的镜头语言来表现一种情绪和视觉上的冲突,给观众以突然的,相对剧烈的心理感受。这样的方法操作简单且实用。只要注意在拍摄中选择长焦镜头,由全景跳到特写的时间点上一定要配合演员错愕的表情或 Under normal circumstances we use a smooth lens language to express a relatively harmonious and stable story mood, such as shooting dialogue, will insist that the machine is not more axis, the lens in the push, pull, shake, move the movement will be smooth and smooth. But the reverse thinking, we will be more flexible application of this law, that is, with uncomfortable, relatively jumping lens language to express an emotional and visual conflicts, to the audience with a sudden, relatively intense psychological feelings . This method is simple and practical. As long as the attention to choose the telephoto lens in the shooting, jump to the close-up by the panoramic point of time must be accompanied by the actor stunned expression or