参加这种理论性讨论,心里不很踏实,总觉得有点自不量力。电视剧虽说写过十几部,却是教训多,经验少。再加上写的多是农民,收集素材,体验生活,整年钻山沟、串乡村,多见石头不见人,脑子里没有多少思考和理论。弄不好说到茄子地里,自己丢人事小,又怕影响刊物的声誉。可是仔细想想,在多年的创作实践中,对这个问题清楚过、糊涂过,占过便宜吃过亏。事到如今,只好把一些苦甜酸辣的体会说出来,凑凑热闹。我写的第一部电视剧是《唢呐情话》(与人合作),当时比较单纯,还没有接触多少新观念。总是想着电视是大众媒介中最强有力的形式,具有无法比拟的普及性。电视剧要面对亿万观众,这些人文化程度,生活经历,欣赏习惯,性格脾气都不一样。俗话说,众口难调,再好的 Participate in this theoretical discussion, my heart is not very practical, always feel a bit unsustainable. Although the TV series has written more than a dozen, but it is more lessons, less experience. Plus write more farmers, collect material, experience life, throughout the year drilling ravines, string rural, rare stone no one, there is not much thinking and theory. Too bad to talk about the eggplant, his own shame, afraid to affect the reputation of the publication. However, think carefully, in many years of creative practice, the issue clearly, too confused, had taken advantage of cheap losses. Things up till now, had to say some bitter hot and sour, take the ride. The first drama I wrote was “Suona Love Story” (co-operation with people), when it was relatively simple and had not touched on many new ideas. Always thinking about television is the most powerful form of mass media, with unparalleled popularity. TV series to face hundreds of millions of viewers, these people’s cultural level, life experience, appreciation of habits, personality temper are not the same. As the saying goes, all the mouth difficult tone, no matter how good