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丁玲作为我国二十世纪杰出的革命女作家,丁玲先是以明确强烈的女性意识进行写作的,带有鲜明的文学启蒙意识。但随着三十年代革命形势的急剧变化,丁玲开始以无产阶级革命家的身份进行文学创作,由初期的主观抒情逐渐表现出强烈的文学革命精神。本论文从丁玲文学创作的转向来反映三十年代文学救亡意识的觉醒进而揭示文学救亡压倒启蒙的现象,这对研究现代作家的创作趋势及整个现当代文学史的发展具有重大的理论意义。
As an outstanding revolutionary woman writer in the 20th century in China, Ding Ling first wrote with a clear and strong sense of female, with a clear sense of literary enlightenment. However, with the drastic changes in the revolutionary situation of the 1930s, Ding Ling began to write literary works as a proletarian revolutionary and gradually showed a strong spirit of literary revolution from the initial subjective lyricism. This dissertation, from the turning point of Ding Ling ’s literary creations, reflects the awakening of the literary salvation consciousness in the 1930s and reveals that the literary salvation overwhelms the enlightenment. This is of great theoretical significance for the study of the writing trend of modern writers and the development of the whole modern and contemporary literary history.