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作为现代审美变革发展中一种新兴形式,重彩绘画已经超越传统工笔重彩,获得新生。这种新生艺术一方面有赖于我国艺术意识的加强,另一方面也有赖于国际竞争力的驱使。有着三十年历史的重彩绘画,同时还是本土与国际接轨的产物,在它在国内迅速崛起的时候,与传统人文审美观念相反的西方人文观已经开始受到国内瞩目。本文着力于现代重彩绘画的特性,研究其装饰性元素的表现和意义。
As an emerging form of the development of modern aesthetic change, the painting of heavy color has surpassed the traditional and meticulous work and gained new life. On the one hand, this new art depends on the enhancement of artistic awareness in our country, on the other hand, it also depends on the drive of international competitiveness. At the same time, it is also a product of the local and international standards. When it rapidly emerged in China, the western humanistic view opposite to the traditional concept of human aesthetics has begun to attract domestic attention. This article focuses on the characteristics of modern color painting, studying the performance and significance of its decorative elements.