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在中国文学理论进入“剖情析采”(《文心雕龙·序志》)语境的魏晋南北朝之时,中世纪的欧洲文论一片沉寂,印度文论也正处于相对的空白之中。直到公元7世纪印度出现了檀丁的《诗镜》,“情感”中心论的中国文论似乎才有了“同声相应”的域外之音。中国齐梁时期的文学“放荡”论与印度古典诗学的“艳情”论同样具有极为独特的价值。辨析这类文学思想与传统礼法观念、宗教文化及与同时兴盛的“艳诗”的关系,比
When Chinese literary theory entered the context of the Wei, Jin and the Southern and Northern Dynasties in the context of the “analysis of the mind and the carving of the dragon”, the European literary theory in the Middle Ages was quiet and the Indian literary theory was still at a relative gap Among them. It was not until the 7th century in India that Tan Dinh’s poetry mirror appeared, and it seems that the Chinese literary theory on the “emotional” center has its own “extraterrestrial tone.” The theory of “debauchery” in Chinese history of Qi and Liang also has extremely unique value as the theory of “eroticism” in Indian classical poetics. Analyze the relationship between such literary ideas and traditional concepts of rituals and religions, and with the flourishing “poems” at the same time