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张爱玲的服饰描写深为后人称道,但对创作于上世纪70年代却未能在生前发表的小说《同学少年都不贱》,学界还未引起足够的重视。本文运用时尚文化理论解读这篇作品中的服饰描写,指出与张爱玲早期小说的不同之处在于:这些服饰、身体描写往往与人物的时代、性别、种族身份认同连在一起,通过清晰地揭示女性身体被时尚建构的过程、服饰参与人物的身份认同与表达,彰显出作家张爱玲一以贯之的女性主体意识。
Zhang Ailing costume depiction for the posterity, but for the creation in the last century 70’s but failed to publish in his lifetime novel “students are not cheap,” the academic community has not yet attracted enough attention. This article uses fashion culture theory to interpret the costume descriptions in this work and points out that the differences from the early novels of Eileen Chang lie in the fact that these costumes and body descriptions are often linked with the age, gender and ethnic identity of the characters. By clearly revealing women Body is the process of construction of fashion, costumes involved in the identity and expression of characters, demonstrates a writer Zhang Ailing consistent female consciousness.