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中国绘画与悟性是密不可分,在悟性的激发下,美术家获得无限的艺术动力,达到最高层次的审美释放。佛教、禅宗最早提出“悟性”一说,老庄哲学和魏晋玄学中关于悟性的思考与佛教、禅宗对中国的绘画产生了深远的影响。悟性对中国绘画的发展有着不可替代的地位和作用,只有悟性的介入与参与,中国绘画才会生气灌注或气韵生动,才会具有长久的生命力。
Chinese painting and understanding are inseparable. Under the stimulation of understanding, artists gain unlimited artistic motivation and achieve the highest level of aesthetic release. Buddhism and Zen first proposed “understanding ” said that the thought of understanding in Lao - tzu and Wei - Jin metaphysics had a far - reaching impact on Chinese painting with Buddhism and Zen Buddhism. Perception has an irreplaceable position and function on the development of Chinese painting. Only with the involvement and participation of understanding, Chinese painting can only breathe or be vivid and have long-term vitality.