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傀儡、傩与戏曲的结合并非偶然,戏曲和傀儡、傩的根本不同在于其以彻底的虚拟性将神鬼人化,实现了神鬼人的共同在场,并将傀儡和傩的宗教性因素完全转换成世俗性因素,傀儡戏、傩戏是傀儡和傩在摹拟表演的基础上吸收了戏曲诸多因素的产物。本文从方言入手分析傀儡和傩与神鬼的渊源关系,从民俗角度论述中国民间对形体的认识和对鬼神的信仰,进而在阐述戏曲虚拟性理论基础上梳理出戏曲实现神鬼人共同在场的有效途径。
It is no accident that the combination of puppet, opera and drama is accidental. The basic difference between opera and puppet is that it uses the complete virtuality to demonize and realize the common presence of the demon and the religious factors of puppet and grandmother Converted into secular factors, the puppet theater, opera is the puppet and 傩 in the simulation based on the performance of the opera absorbed many factors. This article analyzes the relationship between the puppet and the ghost and the ghost from the perspective of the dialect, discusses the Chinese folk understanding of the form and the belief in ghosts and gods from the folk point of view, and then combs out the drama based on the virtual theory of the opera to realize the common presence of the god ghost Effective Ways.