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千百年来,盆景从滥觞及至成熟,经过盆景艺术家孜孜以求的探索,目前已有多样化的形式。从景观深度来分;有近景的树木盆景、有中景的水旱盆景、有远景的山水盆景;从用材的材质来分:有植物盆景、树石组合盆景、山石盆景;从陈设方式上分:有几架单放、高低架组合、博古架、挂壁、座屏等方式;从体量上分则有大型、中型、小型、微型之别。艺术作品,贵在创新。怎样在如此众多的艺术形式中独具个性,是湖北盆景艺术工作者,在继动势盆景之后,值得研究和重视的谋略。这就是走树石、丛林、组合多变的创新之路。一、发扬祖国传统,充分挖掘树石文化的意蕴和内涵艺术的创新是在继承传统艺术上的创新。传统的中国盆景至少在盛唐时期就与石结下了不解之缘。在唐章怀太子墓甬道东壁画中,侍女手捧的盆栽中就已见端倪(见本刊今年第2期30页)。画中一持盆栽的侍女,双手托黄色浅盆,中置数块巧石,石上附生两株小树,可见当时树石组合盆栽已不为鲜见。
For thousands of years, bonsai has developed into a diversified form through the exploration endeavored by the artists of the bonsai. From the depth of the landscape to points; there are close-bonsai tree bonsai, with drought in the bonsai landscape, landscape bonsai with distant view; from the material to the points: a plant bonsai, tree and stone combination of bonsai, mountain bonsai; : There are a few single play, the combination of high and low frame, Bo Gu frame, wall, seat screen and other means; from the points there are large, medium, small, miniature. Art works, you are innovating. How to unique in so many art forms is a bonsai art worker in Hubei Province, which is worth studying and valuing after the bonsai. This is the path of innovation that takes trees, jungles and combinations. First, to carry forward the tradition of the motherland and fully tap the connotation and connotation of tree stone culture. The innovation of art is the succession of the traditional art. The traditional Chinese bonsai at least in the Tang Dynasty and stone formed a bond. In the Tang Fai Prince Edward tomb corridor east wall painting, maid holding potted plants have been clues (see the magazine No. 2 this year 30). Painted a potted maid, his hands care yellow pots, the center of a few pieces of clever stone, attached to the tree two small trees, we can see the combination of stone and potted plants is no longer uncommon.