女导演李少红,近日正在紧锣密鼓地拍摄她的新作《幸福大街》。为此,笔者来到拍摄现场,听到了她对《幸福大街》的创作构想和艺术追求。 这是一部反映90年代社会变迁中,普通百姓家庭发生的故事。它以屠宰厂女工齐红光及她的家庭所遇到的新的问题为主线,多侧面地反映了不同年龄段人的心态,及他们积极向上,亲情友情和顽强的生存能力。 目前,有不少反映下岗题材的影片,但《幸福大街》这部影片与其它的影视片的最大区别,就在于影片不是从大社会的视角,而是通过一个小家庭,从一个普通女工的视角反映这个问题,让观众感觉到她所在的社会氛围。这个角度比较实在,也比较真实,更贴近人心,从而可以与观众产生共鸣。 这部影片没有人物命运的大起大落,没有惊心动魄的戏剧冲突,更没有冠冕堂皇的豪言壮语。靠的是一种生 Director Li Shao-hsun, recently shot her new book “Happy Street”. To this end, the author came to the shooting scene, heard her on the “Happy Street” creative ideas and artistic pursuit. This is a story that reflects the ordinary families’ families in the social changes of the 1990s. It takes Qi Hongguang, a woman factory worker in slaughterhouse, and the new problems encountered by her family as the main lines, which reflect the mentality of people of all ages and their positive attitude, friendship and tenacity. At present, there are many films that reflect the topic of laid-off workers. However, the biggest difference between “Happy Street” and other films lies in the fact that the film is not derived from the perspective of a large society but from the perspective of an ordinary female worker Perspective reflects this issue, so that the audience feel her social atmosphere. This point of view is more realistic, more realistic and closer to the public, so that it can resonate with the audience. This film has no ups and downs in the fate of the characters, there is no soul-stirring drama conflict, but also no high-sounding rhetoric. Rely on a kind of health