近年来,艾云的作品我经常阅读,却不敢轻易动笔。艾云的写作重心几经其变,从理论研究到女性主义文学批评到文化思想随笔再到近年的艺术散文。一个对生命充满疑惑又有着内在思想活力的人,其思想轨迹就如山路十八弯的曲折,又如一道蜿蜒的河流,必在文化气候和地貌变化中寻找自身的方向。仔细看来,艾云的写作转折却并未断裂,上一阶段总是不自觉地成了下阶段的沉淀和底色。这既造成了艾云作品的深沉魅力,也是她 In recent years, Ai Yun’s works I often read, but did not dare to easily pen. Ai Yun’s writing center of gravity after its change, from theoretical research to feminist literary criticism to cultural thought essays to the recent art essays. A person who is full of doubts about life and has inner thoughts and vitality, his thought trajectory is like the twists and turns of the eighteenth bend of the mountain road. In the meandering river, he must find his own direction in the changes of the cultural climate and the landscape. It seems, Ai Yun’s writing turning point has not broken, the previous stage is always unconsciously into the next stage of precipitation and background. This not only created the deep charm of Ai Yun works, but also her