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本刊和莫言曾有过一点关系,这是可以查实的。经过这条线索,我们可以或明或暗地推知他与现代文学的某种瓜葛。当然不必夸大这种关系,因为大家都知道莫言的文学想象力植根于他家乡的那块土地,又是被南美洲文学拍一猛掌惊醒过来,极其诡谲、多元、色彩斑斓的。如果我们来讲他和中国作家的相承相斥,就要有些分寸,毕竟有创造性的作家不是蹩脚的盲目膜拜者。1991年8月,莫言在《中国现代文学研究丛刊》这年的第3期上发表了一篇短
There is a little relationship between this magazine and Mo Yan, which can be verified. After this clue, we can infer either explicitly or implicitly something in modern literature. Of course, there is no need to exaggerate this relationship, for we all know that Mo Yan’s literary imagination is rooted in the land of his homeland and awakened by South American literature. It is extremely treacherous, diverse and colorful. If we talk about his repugnance to the Chinese writers, we should be somewhat discreet, after all, a creative writer is not a crappy blind admirer. In August 1991, Mo Yan published a short article in the third issue of “Chinese Modern Literature Research Series”