对经典作品的处理是困难的。彼得·布鲁克在《空的空间》里描绘了一种“僵死的戏剧”(Deadly Theatre)。他指出,那些神圣戏剧(Holy Theatre),比如古希腊戏剧和莎士比亚戏剧,在当代非常容易做成“僵死的戏剧”。他说:我们在排练莎士比亚的戏时,可以听到或读到同样的建议──按照写下来的去演,但是写下来的是什么呢?只是留在纸上的某种符号。[1]西方经典在中国的制作,僵死的风险又高了一层。因为 The treatment of the classic works is difficult. Peter Brooke painted a “Deadly Theater” in “Empty Space.” He pointed out that the Holy Theaters, such as the ancient Greek theater and the Shakespeare theater, are very easy to make “zombie dramas” in the contemporary era. He said: When we were rehearsing the Shakespeare play, we could hear or read the same proposal - it was written according to what we wrote down. It was just a symbol left on the paper. [1] Western classic production in China, the risk of zombies and a higher level. because