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本文是以越南富寿省一种对神灵崇拜的歌唱仪式——“唱春”(Hat Xoan)为研究对象而展开的仪式音乐民族志调查与叙述。其中主要是对安泰村2014年农历新年的第一场“唱春”仪式过程进行整体而细致的白描。“唱春”仪式的生存与展演空间是以村落为基本单位,因此从村落单位作为切入点对“唱春”仪式进行整体描述,能够展示出“唱春”仪式的全貌,同时解答“唱春”仪式“是什么”的问题,进而更好地理解这一对歌仪式传统在此地方性乡土社会生活中的意义。
This article is based on a survey and narration of ritual ethnography of music performed by Hat Xoan, a singing ceremony of the god worship in Fushou, Vietnam. Among them, it is an overall and detailed sketch of the first ceremony of “Singing Spring” in the lunar new year of 2014 in An Tai village. “Singing spring ” ceremony of the survival and performance space is based on the village as the basic unit, so as a starting point from the village unit “singing spring ” ritual overall description, to show the “singing spring ” the whole picture , And at the same time to answer the question of “Singing Spring” and “what is it?” So as to better understand the significance of this song-and-ceremonial tradition in this endemic rural social life.