加拿大作家迈克尔·昂达奇在其1987年发表的小说《身着狮皮》中描写了二三十年代的多伦多,在小说中对这座城市的发展进行了重构。小说表现了不同文化在城市空间的遭遇、冲突和发生转化的过程,指出了新的文化生成的可能性。这个新的文化既不是对英国文化的延续,也不是多元文化拼盘。它具有独立性、包容性和活力,具有杂糅的特征。 Canadian author Michael Ondać described Toronto in the 1920s and “1940s” in his 1987 novel, “The Lioness,” in which he reconstructed the city’s development. The novel shows the encounter, conflict and transformation of different cultures in urban space and points out the possibility of new cultural production. This new culture is neither a continuation of British culture nor a multicultural arrangement. It has independence, inclusiveness and vitality, with a mix of features.