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2010年以来,自我组织与在地实践作为重要的艺术现象,在中国当代艺术领域中越来越被人们关注,此二者在新的历史文化背景下具有新的含义,为中国当代艺术贡献了新的实践经验与创作成果。以上的艺术现象在概念和实践上具有极强的开放性,如何将其放在当下理论框架中展开论述就成了亟待解决的问题。本文立足艺术批评的学术立场,运用美学、艺术社会学、文化政治学等研究方法,对这些艺术现象进行理论梳理和分析,对其背后复杂的文化语境以及由此衍生出来的观念逻辑、审美机制、价值意义进行了深入的阐释,试图对其背后的一系列学术问题展开具体化的讨论。此文分上下篇,上篇发表于本刊2017年第六期。
Since 2010, self-organization and practice in place, as an important artistic phenomenon, have drawn more and more attention in the field of contemporary Chinese art. Both of them have a new meaning in the new historical and cultural background and have contributed a lot to contemporary Chinese art Practical experience and creative achievements. The above art phenomenon is extremely open in concept and practice. How to put it in the current theoretical framework has become an urgent issue to be solved. Based on the academic standpoint of artistic criticism, this paper applies the research methods of aesthetics, artistic sociology and cultural politics to analyze and analyze these art phenomena. The complex cultural context behind it and the resulting conceptual logic and aesthetic Mechanism, meaning of value in-depth interpretation, trying to discuss a series of academic issues behind its concrete. This article points up and down articles, published in the journal in 2017 sixth issue.