张慧兰带着作家朴实无华的审美理念,其视觉投焦点,往往集中正在运动中的生活一隅,在思绪荡漾的感性触摸中,牵引出一个个关于小说的记忆,提醒和焕发记忆的却是作家审美对象化的领域——那个尚未明确命名的小镇。本文将《证人》这部小说集中的小说分为精短小说,短篇小说和中篇小说。分别进行了评析。 Zhang Huilan, with a writer’s plain aesthetic concept, focuses his visual focus on the movement of life. In the sensual touch of thoughts and emotions, Zhang Huilan draws a memory of the novel about reminding and rejuvenating the memory of the writer The field of objectification - the town that has not been explicitly named. This paper divides the novels concentrated in “witness” into short novels, short stories and novella. Respectively, were analyzed.