当前,中国的当代艺术正处于一个高速发展时期,特别是进入二十一世纪,随着艺术市场的兴起,中国当代艺术过去以艺术家和批评家为主体的单一发展链条被打破。艺术市场的繁荣,加速了中国当代艺术生态链的整体发展,从而催生了艺术家、批评家、策展人、经纪人、收藏家和公众等共生的艺术生态链。对于中国目前的艺术发展状况而占,学术与市场的脱离已将理论家置于尴尬而无奈的境地,由于市场力量的过于强大,使得艺术家往往脱离学术主体的评判,而依赖于市 At present, China’s contemporary art is in a period of rapid development, especially into the 21st century. With the rise of the art market, the single development chain of Chinese contemporary art, mainly composed of artists and critics, was broken. The prosperity of the art market has accelerated the overall development of the ecological chain of contemporary Chinese art, resulting in the symbiotic artistic ecosystem of artists, critics, curators, brokers, collectors and the general public. Due to the current state of art development in China, the separation of academics and markets has put the theorists in an embarrassed and helpless situation. Due to the excessively powerful market power, artists often break away from the academic subject’s judgment and rely on the city