中国纪录片自二十世纪九十年代初蓬勃发展以来,它的第一个高峰业已完成,它培养了大批的电视纪录片观念和纪录片制作人,形成了一种中国特色的引人瞩目的纪录片现象。然而,自二十世纪九十年代后期,我们的纪录片从追求“原汁原味”的真实过程走向拖沓;从追求平实平易的百姓视角走向平庸;从追求表象的真实走向新的千篇一律,从而丧失了思想作为纪录片对世界进行思考的原动力,出现的一些问题需要重新反省和思考。 Since the first peak of Chinese documentary film has been booming since the early 1990s, it has completed a large number of television documentary concept and documentary producers, forming a spectacular documentary phenomenon with Chinese characteristics. However, since the late 1990s, our documentary has gone from the real process of pursuing “original” to procrastination; from the perspective of ordinary people seeking ordinary things to mediocrity; from the truth of the pursuit of appearance to the new one-size-fits-all He lost his motivation as a documentary to think about the world. Some problems that have arisen need to be reconsidered and considered.