保罗·文图拉(Paolo Ventura,1968-,意大利人)工作室的桌子就是他的画布。在纽约切尔西艺术区的个展上,这张“画布”也被搬到了现场,而桌子上的“画作”:一个立体的意大利小城景观,已经被他压缩到照片中,如需再次进入城里人的生活,观者要动用他们的想象。这个过程如同人的记忆机制,那些曾被我们真实触摸的立体生活,最后都变成了若隐若现的二维画面,而文图拉所做的工作是,把它们再次提取出来, Paolo Ventura (1968-, Italians) studio table is his canvas. At the solo exhibition in New York’s Chelsea Art District, this “canvas” was also moved to the scene, while the “painting” on the table: a three-dimensional Italian town landscape, has been compressed into the photo. Into the city life, viewers to use their imagination. This process, like the memory mechanism of human beings, the three-dimensional life once touched by us, has finally become a looming two-dimensional picture. What Ventura did is to extract them once again,