越窑器物上的羽翼纹,习见于三国两晋。越窑工匠在这些本无翼的动物上装饰双翼,有悖越窑写实传统与常理。羊等动物呈跪伏休息之状,安上双翼却是飞翔之态,一静一动,自相矛盾。东汉、三国、两晋越瓷上的羽翼表现手法与羽翼纹并不完全一致,一些不可能生羽翼的地方也装饰羽翼纹,从中看出,绝大部分羽翼纹其实是兽类的毛纹。 Yue Yu artifacts on the wing pattern, seen in the Three Kingdoms Jin. The more kiln craftsmen decorate their wings in these non-winged animals, which runs counter to the traditional kilns and traditions of Yue Kiln. Sheep and other animals were resting in the shape of kneeling volts, but they are flying wings, a static move, self-contradictory. The Eastern Han Dynasty, Three Kingdoms, the two Jin and Yue porcelain wings performance method and feather wing pattern is not exactly the same, some can not be born wings also decorative feather wing pattern, we can see that the vast majority of feather wings pattern is actually a mammalian hair pattern.