美术理论家列夫·莫恰洛夫:参观我们的许多展览会,我总有一种感觉,这种感觉可以说就是想念主题画吧。形式上,每一个大型展览会都有主题画,但它们大部分都不太会使人动心和思考,有时简直就是图解一些人所共知的真理而已。我所说的,是用心的、严肃的主题画。用体裁危机为此类作品的缺少来辩解,恐怕未必合适。早自本世纪之初,假如不是更早的话,人们就在议论着体裁危机乃至架上画之死,可是,架上画依然活着。当维·波普柯夫 Art theorist Lev Mocelov: Visit many of our exhibitions, I always have a feeling, this feeling can be said that you just miss the theme of the painting. Formally, every large exhibition has a thematic painting, but most of them are less inviting and reflective, sometimes simply illustrating some of the truths well known to all. What I am talking about is a careful and serious theme painting. To use the genre crisis for the lack of such works to justify, I am afraid may not be appropriate. As early as the beginning of this century, if not earlier, people are talking about the genre crisis and the death of painting, however, painting is still alive. When Victoria Poplukoff