现代学者们在研究传统气论文艺观的过程中,虽然得出了一些有价值的结论,但这些观点在根本上都难以自圆其说,其根本原因在于以西方二元文化模式为理论平台阐释中国传统思想,使之变成了一堆填充西方思想框架的“死”材料,从而失掉了民族精神。只有超越在现代学术研究中占统治地位的西方二元模式,在民族化、本土化的语境中,才能对传统气论文艺观做出正确的阐释。 Although modern scholars have come to some valuable conclusions in the study of traditional aesthetics of literature and art, these ideas are fundamentally difficult to justify. The fundamental reason is that the explanation of Chinese tradition Thinking, turning it into a pile of “dead” material filling the frame of Western thought, thus losing its national spirit. Only by transcending the Western duality model that dominates modern academic research can we correctly interpret the traditional aesthetics theory of literature and art in the context of nationalization and localization.