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青木正儿和盐谷温都是日本著名的中国学家、中国俗文学研究的开创者,他们在20世纪上半叶分别是日本京都学派和东京学派举足轻重的学术领军人物,在学术观念上也都明显地表现出日本中国学的近代性特征,两人的中国戏曲研究成果也以极为相似的轨迹进入并留存于中国学者的视野。然而,他们在相近的学术道路上所留下的足迹却不尽相同。这一方面是由于其成长经历、生活环境、文化教养以及兴趣爱好等诸多方面存在个体差异,造就了不同的价值取向并渗透在各自的学术研究中;另一方面,他们治学特色的不同,在一定程度上也折射出东京学派与京都学派这两大日本中国学重镇的差异。
Aoki Masato and Yukiya Wendu are well-known Japanese Chinese scholars and pioneers of Chinese vulgar literature. In the first half of the 20th century, they were the pivotal academic leaders of the Japanese Kyoto School and the Tokyo School respectively. In the academic sense, Both clearly demonstrated the modernity characteristics of Japanese studies in Japan. The research results of the two Chinese operas also entered and remained in the perspective of Chinese scholars with very similar tracks. However, their footprints on similar academic paths are different. On the one hand, there are individual differences in many aspects such as their growth experience, living environment, cultural upbringing and hobbies and interests, creating different values and infiltrating into their own academic research. On the other hand, To some extent, it also reflects the differences between the Tokyo School and Kyoto School, the two major academic schools in Japan.