“文化”这一词汇在中国语境中始终偏向“人文教化”之义,聚合着静态的人文精神,而承载“动之精神”的都市文化,本身便显示出中西联姻的融合姿态。城市带来的现代体验、特别是“视觉/观看”体验不仅丰富了诗人的器物层知识,还改变了其思维的速度感与时空观,使其将中国传统的静态诗学观 The term “culture” has always tended to favor “humanistic education” in the context of China and integrates the static humanistic spirit, while the urban culture bearing the “spirit of movement” itself shows the marriage between China and the West The fusion of attitude. The modern experience brought by the city, especially the “visual / viewing” experience not only enriches the poet’s knowledge of the objects, but also changes his sense of speed and the concept of time and space so as to bring the traditional Chinese concept of static poetics