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民国时装人物粉彩瓷器,将时代新女性予以理想化的形象运营,一洗传统古装美人瓷绘之程式化形象。它的出现,标志着瓷绘艺术由传统转向现代的审美求变意识,开启了瓷绘艺术关注现实世界的新篇章。只可惜生非盛世,在战争频仍的年代,景德镇瓷业萧条,时装人物粉彩瓷器仅仅盛行十八个春秋即告夭折,犹若流星划空,迅速退出了历史舞台。同时,也正是由于时装人物粉彩的生产时间短暂,加上战乱及文革的破坏,使得它的存世量尤其稀
The Republic of China fashion figure pastel porcelain, the era of the new women to be idealized image of the operation, a traditional beauty costume porcelain painted stylized image. Its appearance marks the transformation of porcelain painted art from the traditional to modern aesthetic awareness, opening a new chapter in the art of porcelain painting in the real world. Unfortunately, life and prosperity, in the era of frequent war, Jingdezhen porcelain depression, pastel porcelain fashion figures only prevail eighteen Spring is aborted, if the meteor empty, quickly exited the stage of history. At the same time, it is also due to the short production time of pastel fashion figures, coupled with the war and the destruction of the Cultural Revolution, making it particularly rare survival of the world