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《红高粱》是获得诺贝尔文学奖的著名作家莫言的代表作品,我们尝试着运用不同的文学批评方法解读同一部文学作品。接受美学的代表人物姚斯认为:“一部文学作品并不是一个自身独立、向每一时代的每一读者均提供同样的观点的客体。它不是一尊纪念碑,形而上学地展示其超时代的本质。它更多地像一部管弦乐谱,在其演奏中不断获得读者新的反响,使本文从词的物质形态中解放出来,成为一种当代的存在。”一部文学作品的意义不是唯一的,也不是固定不变的,而是开放的;一部优秀的文学作品往往蕴含着丰富无限的意义生成的可能性,具有很大的阐
“Red Sorghum” is the representative work of Mo Yan, a famous writer who won the Nobel Prize for Literature. We try to interpret the same literary works by using different methods of literary criticism. Yao, a representative of aesthetic reception, believes: “A literary work is not an object that is independent of itself and provides the same view to every reader of every age. It is not a memorial that shows metaphysically the essence of its ultra-epoch It is more like an orchestra, constantly gaining a new audience reaction in its performance, liberating the text from its material form and becoming a contemporary existence. ”The significance of a literary work is not unique Nor is it fixed, but open; an excellent literary work often contains the possibility of generating an infinite number of meanings, which is of great value