明清之交,画派林立,“新安画派”崛起于皖南山区,其以反对陈规,标新立异之势冲击了山水画坛。该派的杰出画家查士标,学养丰富,才能超人,品格高迈,勇于创新。他非凡的人生阅历,艺术交游,书画体验,促成了其艺术思想的孤心独怡,从而激活了一己笔墨与画风的嬗变。他不仅在绘画上取得了很高的成就,而且在诗与书法上也形成了自家风貌并为后人所赞叹。特别是他兼学众家,不拘古法探索出的两种书风,以及艺术冶炼所得来的“书法入画”、“书画一体”等观念,启发了艺术家的创作思路,为有理想的书画家走向自然和成功开拓了思想空间。 At the turn of the Ming and Qing dynasties, schools of painting and calligraphy, “Xin’an School of Painting” rose in the mountainous areas of southern Anhui, and attacked the traditional landscape painting landscape by opposing stereotypes and unconventional trends. The school’s outstanding painter Charles check standard, rich in learning, ability to superhuman, tall character, the courage to innovate. His extraordinary experience of life, artistic exchange and painting and calligraphy experience contributed to the loneliness of his artistic ideas, thus activating his own writing and the evolution of his style of painting. He not only made great achievements in painting, but also formed his own style in poetry and calligraphy and praised his descendants. In particular, he has also learned from both his family and his two books of calligraphy, which he explored from the ancient laws, and the notions of “calligraphy into painting” and “calligraphy and painting into one” derived from artistic smelting, which inspired the creative thinking of artists. The ideal calligraphist and painter pioneered the ideological space toward nature and success.