在西方历史发展中,基督教把它的信仰渗透于文学创作中,文学与宗教一直有着不解之缘,而一些由宗教界人士充当的文学人物也接连不断地出现在读者面前,法国17世纪古典主义喜剧家莫里哀的讽刺喜剧《伪君子》中的答尔丢夫和19世纪浪漫主义作家雨果的小说《巴黎圣母院》中的克洛德就是这样的教士形象。许多年以来,人们对答尔丢夫和克洛德的批评是惊人的一致:阴险、狡诈、虚伪。他 In the history of the West, Christianity infiltrated its beliefs in literary creation. Literature and religion have always had an indissoluble bond. Some literary figures acting as religious figures have also appeared in front of readers. The seventeenth-century classical French Such is the image of cleric in the satirical comic Mori Laur ’s comic Allegory of the Hypnotist, and Claude in the notable romanticist writer Hugo’ s Notre Dame de Paris in the 19th century. For many years the criticisms of both Toldoff and Claude have been strikingly coincidental: sinister, cunning, hypocritical. he