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以张艺谋、陈凯歌等为代表的中国“第五代”电影导演还继续以艺术或市场为名掌控着“图解”文化的“霸权”,未露强弩之末的势头。在夹缝中长大的新生代仍在惨痛的票房面前突围前行,贾樟柯、陆川、顾长卫、王小帅这些“第六代”年轻导演们用强烈的社会边缘意识和下层意识对抗当下的矫饰、谗媚、虚伪和实用主义。本期欲以贾樟柯个案的分析来显现新生代导演镜头里的思考。
The “Fifth Generation” film directors represented by Zhang Yimou and Chen Kaige continue to dominate the “hegemony” of the “illustrated” culture in the name of art or the market, revealing no momentum at the end of a spent stage. The new generation, who grew up in the cracks, still broke through in front of the bitter box office. The “sixth generation” young directors, Jia Zhangke, Lu Chuan, Gu Changwei, and Wang Xiaoshuai, confronted the present adolescent with a strong sense of social margins and flattery , Hypocrisy and pragmatism. This issue is intended to analyze the case of Jia Zhangke to show the contemplation of the directors of the new generation.