海,代表一种胸怀,象征一种气魄。观海,必高临碣石,观海之洪波,听海之涛声,所以涤荡身心,咏志兴怀!自古以来,画山容易画水难,历代名家极少以水入画,即便以水入画,也是有山有水,山主水副,俗称山水画。然而以海入画,在中国数千年绘画史上更是少之又少,究其原因,在于水最为灵动,须臾不止,其姿态千变万化,最难捕捉,大海更是百川交汇处,水之性情、水之气魄、水之精神在此得以充分体现,画海可谓难上加难。 Sea, on behalf of a mind, a symbol of style. Since ancient times, painting mountains easy to draw water, history rarely famous water into the painting, even with water into the painting , But also mountain water, mountain water, commonly known as landscape painting. However, in the history of thousands of years of painting in China, there are few and far between. The reason is that the water is the most agile and requires more than one stroke. Its posture is ever-changing and hardest to capture. The sea is the place where rivers and lakes meet, The spirit of the water, the spirit of the water can be fully reflected here, painting the sea can be described as harder.