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杜甫的《佳人》作于乾元二年寓居秦州时,是这一时期融写人与叙事为一体,兼有抒情与寓意特色的名篇。杜诗对前代“佳人”主题的书写传统,既有继承,又有突破;既继承了风骚比兴的传统,又塑造了独特而鲜明的“佳人”形象,成为中国古代文学中歌咏美人的名篇。此外,这首诗运用独特的意象,营造出风神淡荡、不可凑泊的意境,这一意境创造也体现了杜甫孤高贞洁的襟抱,呈现出独特的人文气韵与思想境界。
When Du Fu’s The Beautiful Lady lived in Qinzhou for two years in Qiyuan, it was a famous article that combines human and narrative into one, which has both lyric and moral characteristics. Du Fu’s writing tradition on the theme of “The Beautiful Woman” of the past generation not only inherited but also made breakthroughs. It not only inherited the tradition of coquettishness and romance, but also shaped the unique and vivid image of “the beautiful woman” and became the ancient Chinese literature In the songs of beauty of the famous. In addition, this poem uses a unique image to create a mood where the god of fame and spirit can not cohere. The creation of the artistic conception also reflects Du Fu’s loftiness and lavishness, showing a unique humanistic spirit and ideological realm.