音乐界的朋友们在新世纪提出创立“中国乐派”后,鉴于福建省涌现出了一批年轻有为的作曲家和理论家,最近又有朋友们提出讨论“福建乐群”的倡议。得知后,我很自然地联想到西方音乐史中的“民族乐派”现象,觉得有些问题可以作为我们思考的历史参照,这里简单谈一谈我的想法。一、民族乐派的启示关于“民族乐派”的概念,我们国内有过一个历史的演变过程,至今还有不同的说法①。这里采用大家比较通用的“民族乐派”这一概念。《哈佛简明音乐与音乐家辞典》②概括得相当好,其 Music friends in the new century after the founding of the “Chinese music school”, in view of the Fujian province emerged a group of young and promising composers and theorists, friends have recently proposed to discuss “Initiative. After I learned that, I naturally think of the phenomenon of ”ethnic music school“ in the history of Western music. I think some questions may serve as a historical reference for our thinking. Here is a brief talk about my thinking. First, the enlightenment of the national music school On the concept of ”national music school “, we have a history of domestic evolution, so far there are different views ①. Here we use the more common ”ethnic music school“ concept. ”Harvard Dictionary of Concise Music and Musicians" ② summed up quite well, its