在儒家文化占据主流地位的中华民族,自古以来重生轻死,文学家的认知范式受文以载道价值论思想的影响,遮蔽了死亡的本体叙事。文学家习惯性地采用正反对举的叙事模式,人物的死亡往往是作家赋予其符号化的伦理价值的显示,“是具有伦理力量的性格的最后表现,更能流露出死亡符号的价值观与伦理观,艺术家道德尺度也借助于人物的死亡得以显现。”①在这种创 The Chinese nation, whose mainstream status is Confucianism, has been born again and again since ancient times. The cognitive paradigm of writers is influenced by the thought of carrying value and obscures the ontological narrative of death. Writers habitually adopt a positive and negative narrative model, the death of characters is often the author gives the symbolic value of its ethical display, “is the final manifestation of the character with ethical power, but also reveals the values ​​of the symbol of death and Ethics, the moral dimension of the artist is also revealed by the death of the character. ”