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中国戏曲的产生和发展都离不开中国独特的文化土壤,它是中华民族独特性格特征和审美心理的舞台显现。中国戏曲自从它诞生之日起,就一直受到民族传统文化特别是传统哲学思想的影响。传统哲学思想中的“人本”思想不仅影响戏曲的形成与发展,更深入戏曲文化的表层与内涵,制约并指导中国戏曲形成独特的艺术风格、完整的演剧体系。中国戏曲创作中的“人本”思想在舞台上体现为以演员为中心。
The emergence and development of Chinese opera can not be separated from the unique cultural soil of China. It is the stage display of the unique character and aesthetic psychology of the Chinese nation. Since its birth, Chinese opera has always been influenced by traditional national culture, especially traditional philosophical thought. The idea of “humanism” in traditional philosophical thoughts not only influences the formation and development of traditional opera, but also further discusses the surface and connotation of traditional opera culture, restricts and guides the formation of unique artistic style and complete drama system of Chinese traditional opera. The idea of “humanism” in Chinese opera creation is embodied on the stage with actors as the center.