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初秋的一个下午,袁乃夫用作品《春华秋实》结束了他的个人插花表演,从艺20多年来,他还是第一次采用这种形式与观众进行交流。本就不大的空间几乎人满为患,以至于半数人竟站着看完了3个小时的表演。全场除去15分钟休息时间外,没有电话铃声,没有交头接耳,没有背景音乐之外的任何声响。原初世界,乃为夫子绽放,这是袁乃夫的专属时间。烟霏露结花枝一束松树一株,枝叶扶疏,女萝攀附。松下有竹数竿,一几、一琴、一熏炉。另有玲珑山石一块,上有小巧古鼎,中插花枝一束。宋徽宗端坐于苍劲古松下,面对摆放在奇石上的岩桂插花轻抚琴弦,一派物我两忘的赏花境界,这是宋代名画《听琴图》的雅士风采。
One afternoon in early autumn, Yuan Naifu ended his personal flower arrangement with his work Chun Qiu Qi Shi. For the first time in 20 years, he used this form to communicate with the audience. This little space is almost overcrowded, so that half of the people actually stood watching the 3-hour show. The audience to remove the rest of 15 minutes, there is no phone ringing, no whispering, no background music outside of any sound. The original world, is a master bloom, this is the exclusive time of Yuan Nai Fu. Smoke Fei Lu knot a bouquet of pine trees, branches and leaves help sparse, female Lu climbing attached. Panasonic bamboo pole, a few, a piano, a smoked stove. Another exquisite piece of stone, on a small ancient tripod, inserted in a bouquet. Song Huizong sitting in the vigorous ancient pine, the face of the rock placed on the rock on the kisses flower strum strings, one of the two I forgot to spend the flower realm, which is the Song Dynasty famous painting “listen to Qin figure” elegant style.