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本文以Spencer-Oatey所提出的可以从身份认同理论出发对面子影响因素进行探究的假说为理论依据,从一部中国现代电视剧中所收集的语料对中国文化中面子现象进行了分析。结果表明面子在中国文化中是与受人尊重的身份和地位息息相关的,而且中国人不仅认为个人的面子与自身社会属性相联系,也和其家庭成员,朋友以及所在的社会群体有关。因而,我认为中国文化中的面子是一个整体的概念,可分成个人,关联以及群体面子三大类。
This dissertation takes the hypothesis that Spencer-Oatey proposed to explore the influence factors of facets from the perspective of identity theory as the theoretical basis, and analyzes the face phenomenon in Chinese culture from the corpus collected in a modern Chinese drama series. The results show that face expression is closely related to respectable status and status in Chinese culture, and that Chinese not only consider personal face to be related to their own social attributes, but also to their family members, friends and social groups in which they live. Therefore, I think the face of Chinese culture is a holistic concept, which can be divided into three categories: personal, connected and group face.