本文通过将汉画像石中的叠人造像与原始艺术中的生殖崇拜图像进行对比研究,揭示了二者之间的继承关系;并进一步指出,随着汉代升仙思想的发展,汉代叠人造像具有更为丰富的内涵:一方面,造型多样的生殖崇拜图像展现了生命强旺的繁衍能力;另一方面仙兽、羽人的出现则暗示了生命形态的相互转换,而二者的结合则表达了生命无限循环与永恒存在的寓意。 This article reveals the inheritance relationship between the man-made statues in the stone of Han Dynasty statues and the reproductive worship images in the primitive art, and further points out that with the development of the thought of ascension of the Han Dynasty, On the other hand, the appearance of immortal beasts and feather human beings implies the transformation of life forms, and the combination of the two Expresses the meaning of life infinite loop and eternal existence.