17世纪中叶至18世纪末,清王朝随着政权的巩固、疆域的统一、社会的安定和经济的发展,出现了“康乾盛世”。在政治、经济、思想、文化诸因素影响下,绘画领域也呈现出特定的时代风貌。其时流派众多,画家辈出,而占据画坛主流的仍是承袭“四王”一派的仿古山水画风。但在远离政治中心、经济发达的南方城市扬州却兴起了一股新的艺术思潮,其主力军就是当时一批以卖画为生的所谓“星散落拓”之辈的在野画家群体——“扬州八怪”。他 From the middle of the 17th century to the end of the 18th century, with the consolidation of the regime, the unification of the territory, social stability and economic development, the Qing Dynasty emerged. In the political, economic, ideological and cultural factors, the field of painting also presents a specific style of the times. At that time many schools, artists come forth in large numbers, and occupy the mainstream of the painting is still inherited “Four Kings ” faction of the antique landscape style. However, Yangzhou, a city in the economically developed south away from the political center, has seen a new wave of artistic trends. Its main force is the group of opposition artists who were so-called “ - ”Yangzhou eight strange". he