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“没有大自然的滋养,没有我的故乡,也就不会有我的文学。”正如迟子建对自己的总结,从《北极村童话》到《额尔古纳河右岸》,大自然就如一条静静的河,流淌在迟子建整个小说创作历程中。然而迟子建与众不同的生态写作,还在于她运用其朴素流畅的绿意笔法,在渗透物种平等的大地伦理和天人合一的文明期待之外,恢复自然幽深玄远的神性,进而重新对自然“附魅”。在迟子建“自然附魅”的小说世界里,万物有灵的信仰贯穿始终,生命变得神秘,死亡也来的从容。即便写的是同一片热地,迟子建独特的生态描写和生态关怀也使得小说拥有着难得的温润样貌和坚韧品质。
Without the nourishment of nature, without my hometown, there will be no my own literature. “As Chi Zijian summarized himself, from” Arctic village fairy tale “to” the right bank of the Ergun River, “large Nature is like a quiet river, flowing in Chi Zijian entire novel creation course. However, Chi Zijian’s distinctive ecological writing lies in her use of his simple and smooth green brushwork, in addition to penetrating species of equal earth ethics and the unity of man and nature, looking forward to the restoration of nature, deep and profound divinity, And then re-natural ”with charm “. In Chi Zijian ”natural attached to the charm " in the novel world, the spiritual beliefs of all things throughout, life has become mysterious, death also comes calm. Even writing the same piece of heat, Chi Zijian unique ecological description and ecological care also makes the novel has a rare warm appearance and tough quality.