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我与王鲁明同志相识是在一九五八年春,那时我刚从部队转业,分配到安庆地区黄梅戏剧团。不久我就到上海戏剧学院进修导演,回团后开始负责业务工作,也参加排排戏。那时候我对黄梅戏的传统表演还比较生疏,工作中,时常向王鲁明同志请教。他是团里的主要演员,在地区文艺界中有很高的威信。我对他的演技是非常敬佩的。他的舞台表演艺术格调高雅,刻意求精,神形毕肖,耐人寻味。看他的戏每每使我从内心折服。之后,无论我排传统戏《墙头马上》,还是排现代戏《丰收之后》,都曾经与他有过愉快的合作,受益非浅。
My acquaintance with Comrade Wang Lu Ming was in the spring of 1958, when I just transferred from the army and assigned to the Huangmei Theater Company in Anqing. Soon I went to Shanghai Theater Academy to study director, returned to the regiment began to take charge of business work, but also to participate in row play. At that time, I was still rather unfamiliar with the traditional performance of Huangmei opera. During my work, I often consulted with Comrade Wang Luming. He is a major actor in the regiment and has a high prestige in the regional art and literature circle. I am very admirable for his acting skills. His stage performance art style elegant, deliberate refinement, God shape Bi Shao, thought-provoking. Watching him play often impressed me from the heart. After that, whether I had drafted the traditional drama “The Wall Immediately” or the modern drama “After Harvest”, I had enjoyed the pleasant cooperation with him and benefited greatly.