本刊七期登载的《观众何以总是指责电影是编的》一文,其题目,我以为是找到了认识当前电影存在问题的门径的,循此门径,该文提出要从影片本身去找原因,作为原因的一个方面,“应从每部影片制作给予观众的整体性感受和具体性感受二者关系中着眼”,这是正确的。但是,影片出现编造和失真的原因远较该文指出的复杂,有必要作进一步的探讨。我认为从对电影艺术的真实性或特性的认识来看,有两种情况值得注意。第一种情况,对于艺术的真实性,特别对于电影艺术的真实性能够掌握或大体掌握的编导,往往由于某些原因,未能完全去掉编造的东西。谢晋同志在一篇 The article published in the seven issue of “why the audience always accused the film is compiled,” a text, the title, I think it is to find a way to understand the current movie problems, according to this approach, the article proposed to find the reasons from the film itself , As one of the reasons, “it is right” to focus on the relationship between the holistic and concrete feelings that should be given to the viewer in each video production. " However, the reasons why the films are fabricated and distorted are far more complex than the ones pointed out in the article and further exploration is necessary. I think there are two things that should be noted from the point of view of the authenticity or character of cinematic art. In the first case, the director who can grasp or master the authenticity of the art, especially for the authenticity of the movie art often fails to completely remove the fabricated things for some reason. Comrade Xie Jin in an article