普罗科菲耶夫对音乐理论家的吸引力远远不及他对听众、演奏家和传记作家所具有的魅力。在二十世纪上半叶他还坚持调性写作,从这方面就或多或少地证明了这一点。然而要用传统的调性分析去阐释普罗科菲耶夫的音乐是有些艰难的。风格的多样性使得音乐不可能只局限于用一种单一的分 Prokofiev’s appeal to music theorists is far less than his appeal to listeners, performers and biographers. In the first half of the twentieth century he also insisted on tonality writing, which is more or less proven in this respect. However, it is somewhat difficult to interpret Prokofiev’s music with traditional tonal analysis. The variety of styles makes it impossible to limit music to a single point