金湘,当代中国最具有影响力的作曲家之一,他一生创作了大量艺术歌曲。笔者主要从其艺术歌曲中的和声材料着手,探求金湘和声语言的独具匠心的和声手法。和弦材料中既有西方传统的三度叠置和弦,也有以纯五度为基础的“二度、四度、五度”音程的叠置方式,和弦移位作为创作的基本手法,贯穿于整个和声语言中,突出了五声性的音响色彩。 Jin Xiang, one of the most influential composers in contemporary China, has created numerous art songs throughout his life. The author mainly starts with the harmony materials in his art songs and explores the unique harmonic harmony technique of Jinxiang harmony language. Chord material in both Western traditional third-degree superimposed chord, there are pure five degrees based on the “second degree, four degree, five degree” stack of superpositions, chord shift as the basic technique of creation, throughout The entire harmony language, highlighting the sound of the five colors.