《乡愁》之所以成为余光中最为知名的作品,源于官方与民间、政治与文化的多重响应与碰撞。对《乡愁》的解读,也许不同的阅读对象有不同的民族主义指称,但仍然从地域上或文化上共享了“大中华”这一前提。对“乡愁”共同推崇的背后,既是对一个统一共同体的渴望,也是全球化背景下向本民族文化皈依的一个表征。 “Homesickness” has become the most famous works of Yu Guangzhong, from the official and civil, political and cultural multiple responses and collisions. The interpretation of “nostalgia” may have different nationalistic allegations from different audiences, but still share the premise of “Greater China” geographically or culturally. Behind the common nostalgia for “nostalgia” is not only the desire for a unified community, but also a symbol of the conversion to the national culture in the context of globalization.