艺术进入现代阶段,“物”便作为一个逃避不了的主题和手段,直接参与到作品的形成过程之中。书写创世故事的神话时代、追求纯粹信仰的中世纪,甚至是文艺复兴直到印象派,艺术家们更愿意进行“从无到有”的创作——用画笔、刻刀和建筑材料,创造一个全新的艺术场域,用以安放他们的思想和情绪。但之后,艺术家们似乎找到了一条“从有到有”的路:通过重新为“现成品”赋予意义,来表达自己的理念。 Art entered the modern stage, “things ” as an elusive theme and means, directly involved in the process of formation of the work. The mythological era of writing story-telling, the medieval, even the renaissance of pure faith, until the Impressionists, artists are more willing to create “nothing” - with a brush, a knife and a building material to create a brand new The art field, to place their thoughts and emotions. But then, the artists seem to have found a way out of existence: to express their ideas by giving meaning to “readymade ”.