真的是很久不看小说了,人过40岁,似乎看透了人世,身旁的人和事都难以相信,更不用说那些杜撰出来的东西了。可就在新千年即将开始的时候,我竟然3天没动窝,读完了一本30多万字的小说——《沙祭》。 3天来,我混入书中的人物中间,走进了寒风刺骨黄沙弥漫的大沙漠,走进了近乎残酷的陕北高原,和他们一起唱、一起跳、一起哭、一起笑。是的,这3天是我近几年少有的美丽的日子。窗外下着雪,屋子里弥漫着陈美醉人的小提琴曲,那时而激昂,时而悠扬华丽,时而悲怆的旋律,就像是专门为这本小说配的乐曲,形成了一个奇异的氛围。我突然发现,现代与传统、都市与乡村、富丽与贫困是可以如此完美结合在一起的。《沙祭》讲述的故事遥远得恍若隔 Really is a long time do not read novels, people over the age of 40, seems to see through life, people and things around are hard to believe, let alone those who invented things. But just as the new millennium is about to begin, I actually did not move my nest in three days, reading a 300,000-character novel “Sha Festival.” In the past three days, I was mixed with the characters in the book and walked into the desert full of cold and biting yellow sand. I walked into the brutal northern Shaanxi Plateau, sang with them, danced together, wept together and laughed together. Yes, these three days are rare days in recent years. There was snow under the window, and the house was full of fascinating ensembles of the violin. At that time, the passionate melodious, sometimes melodious melody was like a melody dedicated to this novel, forming a strange atmosphere. I suddenly found that modernity and tradition, metropolitan and rural areas, richness and poverty can be so perfectly integrated. “Sand Festival” tells the story far off the story