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释比戏与傩戏,均起源于一种驱鬼逐疫的原始巫术,是一种世界性的古文化现象。承载着我国的数千年历史文化,是我国古文化的“活化石”。羌族的释比是作为中国的文化瑰宝之一,传承和发扬中国的传统文化,影响深远。巴楚滩文化经历了仪-舞-戏的衍变过程,成为中国传统文化的重要成员之一,并且由单纯的宗教性质逐步发展为宗教性与艺术性相结合的表演性质。在巴楚的傩文化中最具代表性的傩面具成为首要表征,体现了宗教与艺术的完美融合,直接的表现了傩文化的兴衰历程和发展轨迹。本文将主要从艺术形态与其形成进行探究分析。
Interpretation of drama and Nuo opera, all originated in a primitive witchcraft exorcism by the epidemic, is a worldwide phenomenon of ancient culture. Carrying on our country’s thousands of years of history and culture, it is the living fossil of ancient Chinese culture. As a cultural gem of China, the Qibbi’s Xiebi is one of the cultural treasures that inherit and carry forward China’s traditional culture and have a far-reaching impact. Bharten beach culture has undergone the process of the evolution of the instrument-dance-drama and became one of the important members of Chinese traditional culture. It has gradually developed from the purely religious nature into the performing nature of the combination of religion and artistry. The most representative mask in Bachu’s culture is the primary symbol, reflecting the perfect fusion of religion and art, which directly shows the rise and fall of the culture and its development. This article will mainly explore and analyze the art form and its formation.