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人物画的产生早于其他中国画科,其主要样式便是工笔。工笔人物画在绘画史上曾占据着首要地位,顾恺之、张萱、周昉、顾闳中等历代人物画大家都取得了辉粕成就。宋元以来,文人画兴起,水墨山水画和花鸟画取代了工笔人行画的主导地位。20世纪以来,中国美术的画种、题材空前繁荣,西方油画的引入,使中国画家的人物造型写实能力获得极大提高。特别是新中国成立以后,年画的普及,促使工笔人物作品大量涌现。作品主要特点是抓取现实生活中的某一个场景,展现出那个时代人们投入崭新生活的巨大热情。画家在创作中往往注重作品的社会性,而忽视艺术本体的发展,表现手法没有太大发
Figure painting produced earlier than other Chinese painting, the main style is the meticulous. Meticulous figure painting has occupied the primary position in the history of painting. Gu Kaizhi, Zhang Xuan, Zhou Xun and Gu Xun’s middle-aged portraits have all achieved the success of Hui Mei. Since the Song and Yuan dynasties, literati paintings have emerged. Ink-wash landscapes and flower and bird paintings have replaced the dominant position of the fine brushwork. Since the 20th century, the art of Chinese painting has been an unprecedented theme of prosperity. The introduction of Western oil paintings has greatly enhanced the realistic qualities of Chinese painters. Especially after the founding of new China, the popularization of new year paintings has prompted the popularization of fine brushwork figures. The main feature of the work is to capture a scene in real life and show the great enthusiasm of people in a new life of that era. Painters tend to pay more attention to the sociality of their works while ignoring the development of artistic noumenon.